Precious Little, a track released to raise money for Medical Aid For Palestinians (MAP), has made £1,867.41, and the amount continues to rise. You can download the track here if you haven’t already, and you can find out more about MAP’s work during the ongoing humanitarian crisis in Gaza here. Thank you to all who have contributed so far.
I’ve released a track to raise money for Medical Aid For Palestinians (MAP), an organisation currently engaged in a humanitarian effort to help innocent people caught in a terrible crossfire. The track costs £1, but please give more if you can, and please share the link around. Artwork for the track has been provided by my friend Spencer Murphy, who donated an image from his recent series of bird portraits, Traces.
Several of my tracks have featured in a short film about the Guardians Temple at Burning Man festival, including a new track called Becoming, which was commissioned for the film’s opening sequence.
Aerospace company North Atlantic Skies used my track Nebula for this lovely visualisation of their air traffic work.
A while ago I persuaded my Dad to swing by the studio and sit in the booth reciting Persian poetry from memory. I put this track together after he left.
This is a rough demo that I may rework for the new Hiatus album, but I feel it captures something of the void between failing memory and the unfaltering attachment of Iranians to their homeland, and I wanted to share it. It’s also my Dad’s birthday, which I thought merited a spike in my ongoing campaign to make him famous.
My track Feathering has been used on the promo for Classic FM’s More Music Breakfast show.
My track Parklands was used in the promo for Mongrel Thumb’s production of Eldorado at London’s Arcola Theatre.
Parklands features on the Hiatus album of the same name.
Music and sound design for online Fruit Of The Loom promo, a welcome reunion with We Can Be Ghosts Now video director Tom Jobbins.
New Hiatus EP – five tracks of minimal piano and string stuff given away as a free download on SoundCloud and Bandcamp. Loosely based on a short story I wrote for the Quietus, which you can read here.
